Macaya means ‘celebration, party’ in Iorubá. Relying exclusively on voluntary work, the troupe was entirely cast of capoeiras, mostly of beginners without any previous experience in theatre or dance. Profa. Josi Rocha, besides directing and choreographing the troupe, was one of the main people behind this really-low-cost production. The clip above and the interviews below will be of great help and inspiration for those keen to jump into cultural productions/performances with their Capoeira schools. Continue reading
This is the final post on Mestre Suassuna’s biography, in it he covers his decision of moving to São Paulo, his difficulties as an interstate migrant and harsh times endeavouring to establish the practice of Capoeira in the South-east of Brazil.
Continuing the posts on Mestre Suassuna’s biography, in this third post he shares more of trips to Salvador and the cultural context of that time. He also shares his experience with the beginning of the folkloric groups, Capoeira Angola and Regional, and why he believes Mestres Pastinha and Bimba surpassed the others. Continue reading